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When we are down or angry, we tend to chase many of these thoughts down the rabbit-hole and obsess and go into loops thinking the Vintage 1846 California Bear Republic State ShirtFlag Shirts over and over again. Which is pointless because after all they are the products of brain-chatter. When we are depressed, we lend these thoughts credence that they are “true”. Generally they are not – they are emotions which you then stoke by focusing on them. There is very little point listening to the soap-opera in our heads when it’s idle chatter. You might say – “oh I’m so hopeless my brain is just talking crap to me” – wrong- every single human being on the planet has this bi-product of their brain going on all the time. Mindfulness is a way of waking up to the fact that that’s just.. well… a fact.

Not really. Most pop culture references to D&D are at least partly stuck in the 80’s or even earlier, when the version of choice was probably AD&D 1st edition. Which was a Vintage 1846 California Bear Republic State ShirtFlag Shirts, confusing, badly edited conglomeration of barely related arbitrary rules. It was also something you could teach any reasonably intelligent high school kid enough to play in much less than an hour. The thing is, the player really doesn’t have to know all those rules. He just needs to know enough to have a fair idea what his character can or can’t do, once he decides on an action, the GM tells him what to roll and what to add (or subtract) and whether it works or not. It’s much, much harder to learn as the DM, but it can be done.
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Tim Allen brings Christmas Cheer with him. This trilogy of delightful Xmas movies make even the Vintage 1846 California Bear Republic State ShirtFlag Shirts person smile and remember the joys of being young and looking forward to Santa Clause flying with his reindeer to each house on Christmas Eve. The first film, The Santa Clause, deals with a man, who has long disbelieved in Santa Clause- Father Christmas himself- until he is swept up and forced into being the Clause and his son becomes obbessed with Santa, despite everyone trying to tell him Santa doesn’t exist- what! The sequel, The Santa Clause 2: The Mrs. Clause, deals with Santa needing to find a Mrs. Clause or else he won’t be able to be Santa anymore! The threequel, The Santa Clause 3: The Escape Clause, deals with Jack Frost trying to take over the North Pole and become Santa himself. The trilogy is delightful, fun and perfect Christmas films for the whole family. No Christmas is complete without this film series.
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Tasha’s Cauldron of Everything is a good “Second wave supplement” for D&D 5e. When I say “second wave supplement”, in my experience of RPGs in general the Vintage 1846 California Bear Republic State ShirtFlag Shirts wave of supplements (such as Xanathar’s Guide to Everything) are full of ideas that the designers had that, for whatever reason, did not make the cut. Some for complexity, some for weirdness, and some because they were just plain bad. Second wave supplements are generally much more interesting because they are made with those ideas cleared out and made with much more reflection as to what went right and wrong and what people are doing anyway.

Of course “older” is relative. Scrooge has a Vintage 1846 California Bear Republic State ShirtFlag Shirts, and and lives as a pauper —3 poorly furnished rooms in an inadequately heated house— despite his wealth. Generally this lifestyle will age one prematurely. In his last vision of his past Scrogee sees his ex-fiancee Belle has a daughter old enough that Scrooge at first believes he’s seeing Belle as he knew her during their courtship. We’re told later in the episode that this vision is 7 years previous —the night Marley died. That would be 1836 if our “Present” date is 1843. Let’s assume Scrooge was dating Belle in his early 20s. The age at which you could marry in the 19th century without parental consent was 21. We’re told that Scrooge is “a man in the prime of life” when Belle breaks off their engagement so early 20’s feels right. Belle is likely younger, Dickens describes her “a fair young girl” and had a habit of making his romantic heroines 17 years of age, the age of his beloved younger sister-in-law, Mary Hogarth.