Delores, at ten weeks old, was quickly getting integrated into the Madri Ugly Sweater of the flock. Because these six little chicks started out in an aquarium with a heat lamp in my study, then moved to a large hamster cage, then finally outside in a cage kept inside the barn, the grown chickens had all slowly acclimated to seeing Delores and his sisters. However, the first few times I put the babies in the open with the hens, I cautiously supervised the meeting. There was blustering and a little pushing by the big chickens – similar to what you might see on a junior high playground the first week of school – but nothing too severe. Once when the largest hen, Joan Crawford, pulled at Delores’s tail, he ran to me and flew into my arms – but when I scolded Joan and she stalked off to pout, Delores was brave enough to go back and try again. The pecking order shook out fairly easily within a couple days, with Delores towards the middle.

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Codec is a short word for ‘coding’ and ‘decoding’. Once you are done editing, you are required to choose a Madri Ugly Sweater that encodes the footage with the maximum possible compression. One of the most popular codecs is H.264 that produces MP4 files. H.264 also has its upgraded version called H.265 that offers a better compression ratio, thus reducing the file size even further. Factor 5: Rate Control Modes Rate controlling is a process where you define the bitrates for a video. For instance, if a clip is intended to be distributed via the Internet where the target audience may have specific bandwidth, Constant Bitrate (CBR) mode would be good. On the other hand, if the Internet bandwidth is decent or the video is to be played on a local device, using Variable Bitrate (VBR) (with the highest threshold set) would provide the best picture quality as the bitrate would be automatically controlled according to the motions the clip has.