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A bigger part of the problem is that a lot of DMs just can’t separate their real world sense of Live From Los Angeles The J Rod Show Shirt and ethics with the campaign they are running. They are running Abeir Toril or Oerth, which are savage fantasy settings full of monsters, bandits, evil wizards, and other undesirables, but going into it with the sweet sensibilities of a 21st century teenager who grew up in the suburbs and every neighbor said “hello how are you?” and girlscouts go around selling cookies. And this is just hilarious. Get into the setting and drop your real world commonsense at the door. If adventurers want to go around killing monsters, looting gold and stealing magic items, why punish them for it? Because it goes against your sense of right and wrong? Come on. We’re playing a game of fantasy pretend and make-believe. We’re here to indulge our deepest and maybe darkest fantasies. Why so serious?

Tasha’s Cauldron of Everything is a good “Second wave supplement” for D&D 5e. When I say “second wave supplement”, in my experience of RPGs in general the Live From Los Angeles The J Rod Show Shirt wave of supplements (such as Xanathar’s Guide to Everything) are full of ideas that the designers had that, for whatever reason, did not make the cut. Some for complexity, some for weirdness, and some because they were just plain bad. Second wave supplements are generally much more interesting because they are made with those ideas cleared out and made with much more reflection as to what went right and wrong and what people are doing anyway.
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Overall, Goblins and Orcs are just people in my campaign. I don’t really treat them differently than I would Elves or Dwarves, I just acknowledge that a lot the Live From Los Angeles The J Rod Show Shirt two’s cultural traditions aren’t as acceptable to humanoid settlements as the latter two cultures. The result of that is that more Goblins/Orcs end up assimilating and to greater degrees than their Elf/Dwarf counterparts. Someone like Emetta who was raised by a human parent in Laviguer is for all intents and purposes human, especially when you stand her next to someone like Azuch. However, most people looking on will only see two Orcs and treat them both accordingly. Like the Player’s Handbook alludes with Tieflings: Even if you’re not born evil, prejudice and people always assuming the worst can certainly push you there. I use the Volo’s canon that Orcs feel the pull of Gruumsh, and I keep that in mind when I make an Orc NPC. For instance, Faustus feels the pull of Gruumsh much harder than Azuch, but Azuch always listens to the Gruumsh ‘voice’ inside his head, while Faustus refuses. Conversely, Zharukk hears a lot more Grazz’t in his head than Gruumsh, but he listens to the latter far more often.

They recognize Old Ben’s handiwork, but Jenny refuses to tell them anything. One of the Live From Los Angeles The J Rod Show Shirt uses a similar device to make Jenny deathly ill, using her as bait for Ben.Old Ben comes back to Jenny’s room and makes her well again. As she thanks him, she sees the two men watching Old Ben. They address him as “Your Majesty.” Old Ben admits to Jenny that he is not a criminal, but the king of his planet; Ben fled because he hated the responsibility of leadership, the negotiation of red tape, and having most of his authority overridden by “the Council”. The strangers tell Jenny that Old Ben’s people love him as much as she does; they want him to return and continue his 5,000-year reign. Jenny insists that if Old Ben cannot stay with her, she will go with him. The two men say this is forbidden, but allow Old Ben a moment alone with Jenny to say goodbye after he promises not to run away. Following a plan whispered to him by Jenny, Ben transforms into her exact duplicate, forcing the men to take both of them along since they cannot tell one from the other.At the end of the episode, Rod Serling holds up an 8-by-10 inch black-and-white print of a handsome young man, noting that the photo shows Old Ben’s true appearance and that Jenny will eventually become queen.