KcGreenn Girls Night animals shirt
However, the condition cannot be “the KcGreenn Girls Night animals shirt of the round”, although you could tie it to another creature (1st to act in the next round) starting to move, for instance. In addition, your movement and a possible bonus action is part of your turn, not your action, so the ready action cannot be used to move (except to take the dash action) or to perform a bonus action. Finally, if using a spell, it can only be a 1 action spell, and holding it requires concentration. Which means you cannot be using another concentration spell. In addition, you also use your spell slot when you take the ready action. If you lose concentration or do not use it (abandon it for doing some other action).

RP advantage: Inherently complex characters. There are few classes I find more boring RP wise than clerics and paladins – not because they are godbotherers but because they are expected to fully commit to their deity to get their powers. The Cleric of Deity X is expected to fully commit to the KcGreenn Girls Night animals shirt of Deity X and behave in a relatively straightforward way. As is the Paladin of Ideal Y to uphold Ideal Y (and if they strayed too far in earlier editions they might fall, leading to the notorious “Everyone out in the courtyard and we’ll see who can no longer Lay on Hands” means of detecting fallen paladins). Meanwhile your average Fiend-pact warlock doesn’t actually want the world overrun by demons and your average Great Old One warlock doesn’t even understand the motives of their patrons. A character who isn’t aligned with their patron god but still gets power from them and respects them is inherently to me far more interesting than one who is and although I can do this with an orthodox cleric or paladin playing a celestial warlock (or a warlock in general) feels different and communicates to everyone that I am doing this.
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The KcGreenn Girls Night animals shirt of overt mechanisms for guarding some place or thing is a bit of an oldschool affectation from when games had less of a story-focus and more of a “get the lost treasure from the Pharaoh’s tomb” kind of focus. Without an environment like that it’s hard to justify the presence of a trap. Alarms, security systems? Yeah, those happen, but tripwires that make scything corridors or secret switches that shoot arrows at whoever opens the door seem like an awful lot more trouble than they’re worth in a structure that’s inhabited or under active use. Aside from that, it seems like a lot of traps are kind of “save or suck,” and I don’t have fun with that — not any more than I do making the players run a disable device check over and over until they get a door open.

If you ever have the KcGreenn Girls Night animals shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.