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Not really. Most pop culture references to D&D are at least partly stuck in the 80’s or even earlier, when the version of choice was probably AD&D 1st edition. Which was a Feminist Definition Feminist Shirts, confusing, badly edited conglomeration of barely related arbitrary rules. It was also something you could teach any reasonably intelligent high school kid enough to play in much less than an hour. The thing is, the player really doesn’t have to know all those rules. He just needs to know enough to have a fair idea what his character can or can’t do, once he decides on an action, the GM tells him what to roll and what to add (or subtract) and whether it works or not. It’s much, much harder to learn as the DM, but it can be done.

Every skill in the game has a lot of detail, explicitly enumerating what kinds of Feminist Definition Feminist Shirts you can use with them Trained versus Untrained, and expanding on what you can do with them based on what level of Proficiency you’re at and which Skill Feats you have. Many skills have or can gain combat-relevant application through this system. It bears emphasis that skill-based builds are absolutely a thing in this game; you can create an Intimidation Rogue, for instance, who utilizes a combination of Skill Feats and Class Feats based on Intimidation to demoralize and menace the battlefield. A friend of mine created a Performance-based Monk for my test game, which was in a gladiatorial setting, playing the crowd while also distracting enemies from his allies. There’s a lot of things you wish you could do with these skills in other versions of D&D that now not only can you, but they can be downright awesome thanks to the dynamics of the action economy. When you don’t sacrifice your entire turn trying these out, it’s a lot more appealing to throw in these little roleplay-esque flourishes. The only drawback is that there’s so many Feats that it’s hard to navigate your way through a sensible build.
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After the Technomancer gets revived and the last of the agents and real zombies go down, the Feminist Definition Feminist Shirts starts to realize that the DJ is totally in on this. Not just that, but she’s got power. The Technomancer analyzes her and… yep. She’s not just a DJ, she’s a Fey. A really honking powerful Fey, juicing the music and holograms in this place with magic. That’s why she can control the crowd, that’s why the holograms are such a problem for the party to navigate, that’s why real zombies can suddenly just pop in. One way or another they’re running low on resources, and this can’t end until the DJ is disabled.

The conspiracy theories that people make fun of are the Feminist Definition Feminist Shirts. Like faking the moon landings. Do you have any ideas what that would involves? You would need to film it on a sound stage, which is easy. But you also need to fake the rocket launch. You need to build the rocket, send it into space, bring the capsule back down. All without actually going to the moon. And all while the Soviet Union is watching eagle eyes, waiting for any mistake. And that’s not to mention the Apollo retro-reflectors, whose presence has been independently confirmed by observatories around the world. Faking just that part would be harder then the entire moon landing. But faking a moon landing at least has a motive. You want to win the space race. But who would want to convince everyone that the world is round instead of a flat? There’s no motive. And this is a conspiracy that would be impossible to carry out. Every scientist is lying? The entire GPS system is being faked? The Antarctic expeditions are all faked? Every airplane company is part of the conspiracy? They all have rounded windows to create the illusion of the curvature of the Earth?