Imagine you’re an average goblin, living your life in your goblin lair, an abandoned tomb long stripped of Demofloat shirt former occupants. You make a living scavenging scraps from around the local village, eating worms and squirrels and the occasional rat. You killed an intruder in your lair once, but he came into your house armed and looking for trouble. You took his crossbow and ill-fitting helm, which you keep in your lair because you never know when it will happen again. But what you really want to do is stay out of sight and live your life. Then one night, a bunch of people show up and wander right into your home! There’s a dwarf, a human, a halfling, and a filthy, stinking elf! You grab your crossbow and your ill-fitting helm, and prepare to defend yourself again. Your first arrow buries itself in the dwarf’s shield. You dodge the human’s arrow, and the dwarf’s hammer blow. You lose sight of the halfling, while the disgusting elf blasts you in the chest with a bolt of what looks like white fire, which seemed to emanate from the cursed holy symbol around its ugly, misshapen neck. It burns and stings, and reeks of rotten elf magic.

There are other things to possibly set people off, such as Yukon Cornelius whipping his dogs and the Demofloat shirt amounting to little more than servants for Santa and liking it, apparently, but maybe that’s giving this rather silly cartoon a bit too much thought. I do remain rather disturbed by Hermey extracting the Abominable’s teeth without anesthesia, however, but what’re you gonna do? Some of the criticisms seem off-base. One tweeter posted the following image: Except everyone accepts Rudolph and apologizes to him before anyone knows what his nose is good for. If Santa had decided to cancel Christmas and then thought about Rudolph and sought him for his glowing nose, that would be one thing, but it’s not the case. I had to rewatch the show to be reminded of this myself. My final verdict is that the show is not actually preaching for discrimination, it’s preaching against it, though its sexist undertones can be seen as problematic. I’m surprised there were no tweets about that. Frankly, I’m more annoyed by all the musical numbers that stop the story dead in its tracks and feel like the filler that they are. I feel they could have focused less on the musical numbers and more on the animation.
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One class doesn’t have a Demofloat shirt potential than another. Role-playing is orthogonal to class. Role-playing is about the story you create for your character, and you can create a compelling story for a character of any class. Some classes certainly have more obvious sexy story hooks than others. The Warlock, for example, gets her power from a pact with an otherworldly power. What power? How did this come about? How has it affected the Warlock’s outlook on life? You can scarcely avoid an interesting backstory when creating a Warlock! But you can do the exact same thing with any character of any class.

If you ever have the Demofloat shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.