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Apparently, Spinel reminded her of Bonus Mom Saurus T Rex Dinosaur Mom 2 kids Family Matching T Shirt when she was alive, and it played on emotions she hadn’t considered for decades, if not a couple of centuries. As thanks, she gave Spinny her Mask of Many Faces and remarked that “It will be nice to affect the world again.” She escorted Spinel to a platform, and told her to stay safe going back up to the city. Later, when Spinel and Fahren sailed off from Alaghôn, DM had me roll a perception check: Spinny then saw a stunning Elven woman standing on the docks, waving at The Saint Marie… Who had a blanket tied around her shoulders. The two of them have been friends and pen pals since then—Spinny even got Unthir to attend one of Tarael’s parties! She doesn’t realize that Unthir only went to the party to see Spinel, but the two of them got to dance, so that’s all Spinny cares about. DM has gotten pretty wise to Spinny’s antics by now, but every now and then I’ll still surprise him!

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At the time of writing, all rolls are done with a Bonus Mom Saurus T Rex Dinosaur Mom 2 kids Family Matching T Shirt equal to your character level + relevant ability score modifier, then modified by your proficiency. A character can be Untrained (-4), Trained (+0), Expert (+1), Master (+2), or Legendary (+3). When 2nd edition is fully released these values might change, but this system for Proficiency applies to weapons, armor, skills, and saves. Yes, by the by — even your AC and Touch AC are heavily level-dependent and factor this in, such that your character level is likely to make up a much larger part of your AC than your armor at a certain point. While not many classes actually advance proficiency in armor, Monks notably get Expertise in unarmored defense to start with. It’s worth noting that monsters function based on this system as well, rather than being based on Challenge Rating. You don’t fight a CR 2 monster, you fight a level 2 monster, and as a level 2 monster it will gain a flat +2 bonus to everything, modified by ability score mods and proficiency. This creates a very hard “tiering” effect between combatants of different levels, such that an opponent several levels above you will feel incredibly hard while an opponent as little as a single level below you will feel very easy.

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Huzzah! He tries to grapple the guard and Bonus Mom Saurus T Rex Dinosaur Mom 2 kids Family Matching T Shirt an attack. You rattle some dice around, not actually caring what they say as the guard “defends” himself. Barb’s hooked his bindings around the guard’s throat and is now using him as a meat flail. Why? Because you don’t want these idiots to die, it’s neat, and everything saner has failed. In the ensuing melee you rattle dice around some more, and press the Players just enough that they feel that they’re challenged, yet still escape mostly intact. Now the key to this improvisation is that you have to work with what the players give you. If they do nothing, well, it’s the gallows then. As long as they keep working the problem, keep giving them things to work with. And damnit, escape by meat-flail is better than anything I’d have come up with myself.

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If you ever have the Bonus Mom Saurus T Rex Dinosaur Mom 2 kids Family Matching T Shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.